When I first got involved in the writing side of the publishing industry, in 2012, I soon heard a mantra of sorts: Never Use Adverbs. Having been an editor for a dozen years before that, it struck me as one of the most arbitrary and useless rules I’d heard. Today, I at least understand how the ban on adverbs got started, even if I don’t agree with it.
What’s interesting to me is that many of the so-called rules that some novelists live by are not the same rules as those their editors profess. In fact, they are often at odds with each other. A writer might say, “Never start a sentence with a conjunction.” An editor will say, “That rule has gone by the wayside, and thank goodness. Clarity is more important.”
The uncompromising ban on adverbs is another such rule that editors are unlikely to support. It is famously summed up in a quote from the author of On Writing:
The road to hell is paved with adverbs. —Stephen King
He goes on to liken adverbs to dandelions, saying one is pretty but soon your lawn is taken over by them, so you must get rid of all of them.
And that right there is the problem. We cannot rid our writing of an entire category of words. We can use them sparingly, because one is pretty but a hundred are not; however, there is no reason to give them up entirely. It isn’t even possible to achieve. (Full disclosure: I once gave my mother a bouquet of dandelions. She loved it.)
Now that I have edited more new writers and seen just what a field of dandelions an author is able to grow, I understand the temptation to throw them all out and just say no, don’t use adverbs. Some writers sprinkle every sentence with two or three adverbs when the sentence would be stronger without even one.
Quickly rounding the bend and hurriedly entering the dining room, I found the decorator busily arranging the centerpiece on the beautifully laid table.
It’s easier to live by an all-or-nothing rule and cut all adverbs always. But easier isn’t always better. I have seen several manuscripts in which the author bent over backward to avoid an adverb and it left me scratching my head.
I rounded the bend at a fast pace and entered the dining room in a hurry to find the decorator arranging the centerpiece at a fast clip on the table laid with beautiful decorations.
To me, moderation is key to all things in life — even adverbs. Adverbs help writers to express how someone is feeling or the manner in which an action was done. They intensify adjectives and tell readers when and where an event took place. Yes, weak adverbs abound, but they aren’t all weak. Some are tantalizing. And even the weak ones can be useful at times.
I sped around the bend and entered the dining room to find the decorator hastily arranging the centerpieces. The decorations were lovely. Beautiful in fact.
So cut your adverbs freely, make sure that each one has earned its place in your writing, but please, do not weed them all out. Writing benefits from diversity and decoration. A ban on adverbs eliminates that.
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