On to Design for Mystery at Creek Academy

Previously I wrote that my daughter/coauthor and I had reached a milestone with our book. We had finished the revisions and were sending it out to beta readers. Of course, revisions are never truly over, and I was afraid it would take another 18 months to get to a final manuscript. That’s how long it took us to get to a nearly complete manuscript.

Good news! It didn’t take 18 months!

We received excellent feedback from our beta readers, Chris Pickett and Katherine Melvin. We are so grateful to them for taking the time to read out work and offer their help. The book wouldn’t be the same without them.

Over about four weeks, Nancy and I worked through all of their suggestions and did our best to fix the problems they had pointed out. And believe me, there were plenty!

I still had to nudge my daughter often to get her to work on the book. But she came to an important conclusion: “It’s fun to work on the revisions when you do it a lot. When there is a lot of time in between, it’s like, Ugh, can’t I do something else?”

Smart cookie.

We are now endeavoring to put the book into a design template. This is new territory for me, but I’m excited. We chose one of Joel Friedlander’s inexpensive templates, opting to pay with our time and sweat instead of our money for this project.

Wish us luck!

Like this blog? Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!

The Time is NOW to Register for Summer Classes

I am pleased to announce the return of two exciting classes I will be teaching this summer: Launch Your Writing or Editing Business Now and Choose Your Best Book-Publishing Path. Both are hosted by The Writer’s Center in Bethesda and will be held via Zoom.

With online classes, your location no longer holds you back! These classes are fun and interactive and will set you on the path to achieving your next big goal. (You can even attend from your favorite vacation spot.)

Details for each class follow. Feel free to email me with any questions. Just reply to this email. More information is also available through the Writer’s Center website

Launch Your Writing or Editing Business Now, The Writer’s Center, May 15 – June 12

Prepare for business success with this four-week class. Together we will explore the seven steps you need to take to launch a writing or editing business that thrives. Topics include getting the right training, growing your network, choosing your business model, managing business finances, and maintaining your business once launched. Plenty of in-class and at-home exercises will spur the momentum and excitement of building a business from scratch. By the end of this class, you will be well on your way to realizing your dream of working for yourself. Note: No meeting on May 29. Presented online. Register via the Writer’s Center website.

Choose Your Best Book-Publishing Path, The Writer’s Center, June 22 and June 29

In this two-week online class, we will explore what you get with each publishing route, what it takes to succeed, and the financial side of publishing. Be prepared for lots of personal exploration and hands-on investigation. After this class, you will know what your options are and be on your way to determining which book-publishing path will lead to your success. Presented online. Register via the Writer’s Center website.

Like this blog? Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!

Publishing Stories: Facing the World of Traditional Publishing

In this guest post, first-time author F.M. Deemyad shares her experience with traditional publishing. Her book, The Sky Worshipers: A Novel of Mongol Conquests, tells the story of the brave women taken captive by the Mongols and how they influenced them from within. The book is available now on NetGalley for viewers and bloggers to download. The print book will be in bookstores on March 2, 2021.

Facing the World of Traditional Publishing

The publishing process is quite intimidating for the first-time novelist who has spent months, and in my case, years trying to complete a work worth reading. Suddenly one feels outside one’s reclusive shell, forced to attend conferences, reach out to agents, and give short speeches to impress them. There is a need to learn the skills necessary to market one’s work, not just remain focused on accomplishing a voluminous manuscript. Marketing is an entirely different world from the world of writing and editing, and most writers find the process intimidating if not downright frightening.

The Agent Search

Finding the right agent/representative is similar to traditional marriage. The parents (here the publishing company, market forces, etc.) have to give their consent for what can turn into a lifelong commitment. Also, the agent and the writer have to be the right match, or the relationship will never take shape or be short-lived.

During the face-to-face conversations, the agents I encountered were mostly young and focused on specific genres. One has a few minutes to convince the agent about the positive outcome of a longtime struggle to accomplish one’s goal. They call it an elevator pitch. That is if one shares the ride when ascending or descending two floors.

Before meeting one agent at a conference last year, I wondered if Shakespeare was alive and had to meet the agent about publishing Romeo and Juliet, what would his pitch sound like?

“My novel is about two young lovers from two feuding families who are left with no choice but to commit suicide at the end.”

The agent would probably politely refuse the work and say, “We don’t do tragedies.”

Considering the magnitude of the novel I had written, which encompassed the entire Mongol era of the thirteenth century and the women taken captive during that time, only two or three agents out of a dozen who interviewed me during numerous conferences requested the first few pages of my work.

Most agents wanted to see the full manuscript, not just a few pages, and they showed interest in my work except for what they called “too much historical fact.” I was reluctant to turn the narrative into a mere novel, void of the details that made it historically authentic.

The other issue was that the process was excruciatingly slow. One publisher reached out to me and accepted my work almost one year after submission. By then, I was already under contract with another publisher.

I found recordkeeping to be of utmost importance. Having the name of the agent, pertinent publishing company, date of submission, and other details handy prevented me from reaching out to them more than once. There are online resources available that are also good for recordkeeping but I generally handle matters the old-fashioned way.

Two resource books that I bought at a conference namely,—“Novel and Short Story Writers Market” and “Guide to Literary Agents”—were useful in finally allowing me to find the right match for my novel.

What Developmental Editors Can Do

I must mention here that utilizing the services of great developmental editors, who understand your work and appreciate what you are trying to accomplish, is helpful not only because they elevate your work but also because they give you the confidence you need before embarking on this journey.

My editor was well versed in classic literature and had studied at the University of Oxford. She also did the line editing of my work and was extremely helpful in identifying modern terminology that did not belong in a book written by a narrator who lived in the thirteenth century. For example, I had used the term “global” when in fact this was an era long before Galileo, and people considered the earth to be flat.

I am glad that I chose the same person for developmental editing as well as the line editing of my work. This allowed my editor to read the work more than once, and even during line-editing after the corrections she had asked for were implemented; she did point out, on more than one occasion, areas that needed further development.

Writers Helping Writers

I must add that attendance at writers’ conferences had its merits, for it allowed me to learn about the publishing process and the choices available to writers. These conferences also are great venues for getting the word out about one’s upcoming novel, poetry book, or other work in progress. Also, reaching out to other writers and book enthusiasts via social media allowed me to learn from their experiences and set the stage for presenting my work when published.

Another benefit of attending conferences for most of us who are introverts is finding and developing relationships with other writers and even established authors. When the time came to find individuals to write blurbs for me, I had a list of outstanding authors to reach out to and ask if they were willing to read nearly 400 pages and evaluate my work. Several authors agreed, and their evaluation certainly helped to make the work more appealing to potential readers.

Finding the right group to workshop with is another important factor in succeeding in this path. At least three individuals in a workshop group that I had joined had their work published, and they provided me with valuable lessons on how to navigate this process. In addition, the workshop placed the right amount of pressure on me to accomplish the work within a limited time frame.

Comps

Last but not least are comps. Comps are works that are comparable to your novel or nonfiction book that have sold well and have been written in recent years. Finding the right comps, usually two or three books, will help the agent identify the status of your work. However, you must avoid comparing your work with the most outstanding authors who have sold thousands of books, especially if you are a first-time author. The comps have to be reasonably close to the work you have accomplished if you want to increase your chances of success.

In conclusion, I must mention that as in any serious endeavor in life, obtaining valuable information is the key to success. Whether you are in the habit of doing online research, or you prefer to obtain your information through books and in conferences, diligence, tireless effort, and remaining committed to your goal of becoming a published author pays off. Like gardening, writing is a profession that requires long-term commitment. One cannot expect a tree to grow overnight and bear fruit.

About the Author

The Sky Worshipers: A Novel of Mongol Conquests

F.M. Deemyad is the author of The Sky Worshipers: A Novel of Mongol Conquests. Born in Kermanshah, Iran, she grew up in the capital, Tehran, attending bilingual schools run by Christian and Jewish minorities. Her father, born and raised in India, had come to Iran when he was in his late twenties. Being the son of a linguist who had taught English Literature in India for a number of years, he exposed the author in her preschool years to the English language, and she learned to love classic literature under her father’s instructions. She received a B.A. in Biophysics from the University of Houston and a Master’s degree in Writing from Johns Hopkins University. She currently resides with her husband in Maryland.

Like this blog? Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!

I’m Coming Out… 2021 Events

Nearly every event I had planned for 2020 was either cancelled or moved online. For 2021, we have all hopped on to the virtual bandwagon, and that’s a good thing. 

I have a number of speaking engagements and workshops planned for January to April on a range of topics. I hope you will be able to attend at least one. Most are free and open to the public, and all are virtual.

  • January 21, 2021: Nonfiction Authors Panel with Valarie Austin (moderator), Phil Padget, and myself. Howard County Chapter of the Maryland Writers Association. 7-9 p.m. Find out what it’s like to be a published nonfiction author. You must register on the MWA-HoCo website to receive the link.
  • February 9, 2021: Self-Publishing, Traditional Publishing, or Hybrid?: A discussion of pros and cons. Midwest Publishers Association. 7:30-9:30 p.m. Learn more about MiPA here.
  • February 20, 2021: Is Your Writing Mojo MIA? Panel discussion with Valarie Austin, B. Morrison, and myself (moderator). Montgomery and Frederick County chapters of the MWA. 1-3 p.m. Get innovative strategies for restarting your writing. You must register on the MWA-Montgomery website to receive the link.
  • March 20, 2021: Crafting a Marketable Manuscript. Connecticut Authors and Publishers Association. 10:30-11:30 a.m. Learn more about CAPA here.
  • April 15, 2021: How to Navigate the Book Publishing Process (a perennial favorite). Upper Peninsula Publishers and Authors Association. 7-8:30 p.m. Learn more about UPPAA here.

Want to know more? You will find descriptions and all the details on the Events page on my website.

Like this blog? Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!

I’m an Editor, Dammit!: Reflections on When I Became a Writer Too

In June 2019 I had a poem published in a neat little online poetry mag that specializes in women’s poetry. It is the first poem I wrote as an adult, and getting it published was a real treat—but also a total fluke. See, I’m not a poet. I’m not even a writer. I’m an editor, born and raised, and that’s that.

At least, that’s what I have been telling myself.

As an editor, I have worked with great writers and terrible writers. Based on that, I thought I knew what it took to be a writer. I also knew I didn’t have it. When I put pen to paper, everything I did seemed to fall just short of making me a full-fledged writer. And the closer I got to meeting my perception of a writer, the higher my expectations became.

For example, I began keeping a journal at age 17 and haven’t stopped. But I rarely revise, and it has never been published, so in my mind, that doesn’t make me a writer. Anyone can keep a journal.

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This is me in my twenties.

In my twenties, I had some personal essays published on a friend’s ezine. Yes, I wrote and refined the essays, and they were published, but it wasn’t like my friend was not going to publish them. She said so herself. Again, not a writer.

In 2010, the now-acclaimed Lowestoft Chronicle accepted my humorous essay “Dented”—another fluke!—and then selected it for its anthology. I was thrilled. Maybe I was a writer after all.

But no. That was the first year of publication for Lowestoft, so I could be pretty sure they threw me in because they needed material.

Then December 2012 rolled around. I had been freelance editing for about 8 years by then, and my work had been steady for most of that time. But wouldn’t you know it, two big editing projects were postponed for December and January. At the same time, I had been tossing around the idea of writing a book (still not a writer!) based on the workshops I had been leading. I thought it would be a good business move. Now that I had the time, why not see what I could do?

Twenty months later, I self-published a two-time book-of-the-year award winner. I knew in my heart I still wasn’t a writer, however, because I had published it myself. Real writers are published by strangers. But I felt I was getting closer. (To celebrate the book launch, my husband gave me an engraved business card case. It reads: “Katherine Pickett, Editor and Author.” He said he ordered it that way because he knew I identified as an editor first.)

For several months surrounding the release of my book, I pitched

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Here’s me in my thirties.

about a dozen articles that were published across the internet and in print. This time strangers were publishing my work, and not first-year publications like I was used to. Some were blogs I had read and admired for a while.

Hey, I may be on to something, I thought. My confidence was building.

I went on to do some journalistic writing—I was assigned a topic, interviewed some folks, wrote it up. This time I was being paid to write. That makes me a professional writer, doesn’t it? But here I stumbled again. Ask anybody: You’re not a real writer if it isn’t a creative work.

Notice how I keep moving the goal posts?

But now—now I have this poem, a lyrical creative work published by strangers. It fits. I fit! So this is it. I’m officially an editor and a writer. And it only took 20 publications for me to get here.

Of course, I’m not alone in my angst. Psychology Today defines imposter syndrome as “a pattern of behavior where people doubt their accomplishments and have a persistent, often internalized fear of being exposed as a fraud.”1

Although imposter syndrome is not considered a real illness, it does affect our lives and our livelihoods. Because of the multitude of job descriptions for “writer,” I think writers may be particularly susceptible to it. It is precisely what I experienced over the course of my writing life.

In fact, you can find evidence of my insecurity in the first sentence of this essay.

Did you notice the way I diminished the significance of the magazine that published my poem, calling it “little” and “neat”? Apparently it doesn’t even deserve the full name of “magazine.” It’s an “online mag.” I don’t want anyone to think I am taking myself too seriously. It takes much more than one publication to make a person a writer.

Or does it? Does it require publication at all?

Looking back at my struggle, I believe I have been missing a larger point about who gets to call themselves a writer. I’m not a writer just because I finally reached the highest bar I set for myself. I have always had the drive to write down my thoughts and share them with the people around me, and to me, that drive to write is the definition of a writer.

So, no, publication is not required. The writing—that’s what makes a person a writer. If you also have a drive to write, I invite you to claim the title. It is yours for the taking.

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Copyright Michaeljayberlin | Dreamstime.com

1 Megan Dalla-Camina, “The Reality of Imposter Syndrome,” Psychology Today, September 3, 2018, https://www.psychologytoday.com/us/blog/real-women/201809/the-reality-imposter-syndrome (accessed August 21, 2020).

 

PerfectBound front cover 2019 9-6 low-res

 

Like this blog? Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!

Two POP clients earn media coverage!

Congratulations to Thomas Caulfield, author of Ephphatha: Growing Up Profoundly Deaf but Not Dumb in the Hearing World, a basketball memoir that is about much more than basketball.

Ephphatha cover

This is a beautiful story about a father and his son who overcame many obstacles to find success both on the basketball court and in the classroom. I’m proud to have served as the developmental editor on this project. Read about it here:

14 Best New Basketball Player Books to Read in 2019 (The Book Authority)

 

and here:

Interesting Reads: Ephphatha by Dr. Thomas Caulfield (Living with Hearing Loss)

Also in the news was Building a Business with a Beat, a business self-help book written by the inimitable founder of Jazzercise, Judi Missett.

Judi Missett cover

I copyedited this book for McGraw-Hill at the start of the year and enjoyed it immensely. Read about it in The Atlantic:

The Fitness Craze that Changed the Way Women Exercise

It takes a great many people to publish each and every book. Seeing those books get the attention they deserve is a reward for all who participate in the publishing journey.

Kudos, Tom and Judi!

 

PerfectBound front cover 2019 9-6 low-res

 

Like this blog? Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!

Writing Prompts: Get Published on the POP Newsletter

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Copyright Gorodok495 | Dreamstime.com

Would you like to be published on my blog, The POP Newsletter? Here’s your chance.

First, respond to one of the writing prompts below. Then follow these simple rules:

  • The submitted piece must clearly relate to the prompt.
  • Genre and style are open, but no erotica, please.
  • Publication is at my discretion.
  • Some editing may be required before publication.
  • Word limit: 2,000 words.

And now, the prompts:

  1. This is fear country
  2. What are you waiting for?

Submit your work to me at katherine [at] popediting [dot] net. Please paste your submission into the body of an email.

I look forward to reading your submission!

 

PerfectBound front cover 2019 9-6 low-res

 

Like this blog? Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!

#1 New Release on Amazon?!

Perfect Bound: Navigate the Book Publishing Process Like a Pro, Revised Edition, released August 26, and on August 29 it was the #1 New Release in writing guides on Amazon!

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Amazon even put a banner on the Perfect Bound book profile page, which was great to see:

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I won’t tell you how many books I had to sell to reach this milestone. Thirty copies? Three copies? Who’s counting? All I know is, with all the work that goes into making a book, it really is a treat to see the accolades.

Get your very own copy of the Amazon #1 New Release and find out what all the fuss is about. You just might discover it’s worth all hype!

 

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Like this blog? Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!

Revised Edition of Perfect Bound Coming Soon!

I am happy to announce Perfect Bound: Navigate the Book Publishing Process Like a Pro has been updated and revised!  This has been a long time in the making, and I’m thrilled to be able to provide my readers with the most current information possible.

Cover reveal: The revised edition of Perfect Bound
Cover reveal: The revised edition of Perfect Bound

The 2019 edition of this multi-award-winning guide features:

  • New exercises for choosing your path to publication
  • Condensed and updated guidance on e-book companies
  • Updated cost information and new resources to explore
  • In-depth discussions of hybrid publishing, Instagram, and barcodes
  • A new interview with Janell Robisch, a designer and e-book formatter

And so much more!

Sign up for my newsletter and be the first to know when it publishes!

 

It’s here!

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Find more insights and advice in the Updated and Revised Edition of Perfect Bound: How to Navigate the Book Publishing Process Like a Pro, now available on Amazon!