What do you do when you get page proofs for your book from your designer? Quite a bit, actually. Here’s the rundown on all that happens when you have page proofs in hand, as I experienced it:
- I received first page proofs for Perfect Bound: How to Navigate the Book Publishing Process Like a Pro April 15 via e-mail. I immediately printed four sets. My husband and I each had a copy, and two copies were sent out for advance reviews. I e-mailed the PDF to three more people, one of them being the proofreader and the other two being more reviewers.
- While the proofreader was working away, my husband and I were each reviewing our sets of the pages. I read the book from beginning to end, then looked at some specific problem areas, such as the table of contents, the running heads, and page breaks. I followed my own advice, as set out in a previous blog post.
- Two and a half weeks passed while the pages were being proofread and reviewed. Then, a few days before the proofreading due date, the proofreader scanned and e-mailed to me the pages with her corrections. I then compiled her edits as well as my husband’s onto my master set. I looked through everything once again, resolved the discrepancies that crept up among the three of us, and sent the entire set of pages back to the designer.
Because my copyeditor and I had done so much work early on to get the manuscript in shape, the proofreader had limited changes and was therefore able to (1) finish faster and (2) avoid shipping the complete set of page proofs, saving me time and money on both counts.
- The designer had ten days to input the changes and get second proofs to me. While that was happening, even more exciting developments came my way, namely, I received reviews back from three of the five people I had approached. Two reviewers declined to review the pages, stating that the book was not appropriate for their audience. But that was OK. The three reviews I received were terrific, and I promptly added them to the front and back covers.
- The second round of page proofs arrived a day early, which was great because that gave the indexer an extra day to complete the index. Time was getting short and I was anxious to make sure something as routine as an index didn’t cause us to miss our desired pub date. The indexer had asked for a week to complete the index, and that gave us only a few days for final revisions. If any major problems arose, we would miss the files-to-printer date. Turned out my worry was for naught: the indexer completed the index in three days!
- While the index was being created, I checked corrections from first pages to second pages and then checked the table of contents and running heads again. I also spot-checked a few areas, reading all of the chapter-opening and -closing boxes and rereading the introduction and epilogue. As always, some small errors had slipped through. Good thing I took the time to review the pages again.
If you are self-publishing, be prepared to go through at least three rounds of page proofs. For whatever reason, it often takes until the third or fourth set of proofs for a person to notice an error in display text.
- Corrections to the revised proofs and the edited index were e-mailed back to the designer (yes, you have to edit an index), and, lickety-split, we had third pages. We were getting close now. One more round of corrections and, as of yesterday, the interior has been finalized!
The pace of book production, once you receive those first page proofs, is mind-boggling. Just when it looks like you will never finish on time, the stars align, designers and indexers beat their deadlines, and you start to wonder why you ever doubted the outcome.
Final files go to the printer on Monday. Next up will be printer proofs. The end is in sight! The end of production, anyway. As the author, you’re never really done with a book, are you?
Also in this series
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